The global OpenStreetMap convention is coming to Birmingham, England, 6th-8th September 2013.
Map-makers might also be interested to know that The Society of Cartographers annual conference and summer school will be in Stoke-on-Trent, near Birmingham, on the 2nd-4th September 2013. Lots of Stoke & Staffordshire -specific mapping talks on the programme, plus a map illustrator’s surgery.
What is going on with this dud of a new Culture Minister? Now she wants to take arts and crafts out of the cultural industries definitions.
NESTA has just released a new Manifesto for the Creative Economy…
“UK policymakers too have failed to keep pace with [creative industries] developments in North America and parts of Asia. But it is not too late to refresh tired policies.”
It doesn’t seem aimed at influencing the government Spending Review (2015-16) which is now heaving itself toward a June completion. It seems more about briefing the relatively new Culture Minister (Maria Miller, in post for six months and floundering badly), and shaping the policies of whoever wins the General Election in 2015. As such it’s far more substantial than the “Manifesto” title suggests, weighing in at 128 pages, and with a wodge of tiny footnotes at the end. It opens with a useful summary of the UK’s post-1997 creative industries policies and various reactions to them among politicians and vested interests, and follows this up with a overview of the confusions over the UK’s creative industries employment statistics. A breakout page here summarises interesting recent research done in Brighton, which seems to show just how little creative industries business activity shows up at the level of national statistics…
“researchers have identified over 1,500 creative and digital media businesses in Brighton, and have used these companies’ SIC [UK tax] codes to study the extent to which the current DCMS [UK government] industrial classifications cover the sector. Only just over one quarter (27.2 per cent) of them are covered by the DCMS’s classification.”
The researchers also looked at…
“…the activities of the 60 respondents in the two software–related SIC codes [UK tax codes, recently] dropped by DCMS [from the cultural industries statistics], we find video games studios, web designers and developers, social network marketing companies, and digital agencies which combine technology and design capabilities to offer advertising and marketing services, and even BAFTA nominees.”
The local aspects of the UK response to creative clusters are addressed on pp.58-62…
“There have been many place–based interventions aimed at creating entrepreneurial networks where wider informal learning can take place. Universities have also tried to nurture some of these creative clusters, not least by providing incubators and facilities for creative start–ups and spin–outs. The track record of these initiatives is patchy to say the least.” [...] importing “templates for ‘cookie cutter’ creative clusters and cities in some parts of the UK, with returns which are, as yet, far from clear.”
“the challenges of shoehorning creative businesses into mainstream innovation support mechanisms has led to the development of small–scale but more targeted initiatives aimed at encouraging creative innovation. [...] they are fragmented and do not solve the fundamental mismatch between the needs of the creative economy and the approach of mainstream innovation support.” [...] “innovative creative businesses with the greatest growth potential will often be those with the least time to meet [with advisors, or to value generic business advice]“.
“Seeking to take a budding or ‘latent’ creative cluster to its next level is a better idea than trying to spawn one from scratch.” [but] “discrete interventions will rarely be enough to support sustainable growth in a cluster — it is important to pay attention to the whole system. [what is also needed is to] “develop the dense web of networks that are conducive to clusters, innovation and growth” [while] “it is important to minimise the risk of capture by local vested interests”.
“Two television series set in the West Midlands have had to be filmed in London and Manchester because of the region’s meagre production resources.”
I also hear that the forthcoming Peaky Blinders series, set among the 1920s rough youth gangs of Birmingham, used mostly Northern actors trying to do a Brummie accent (and, according to my source, failing).
University of Derby conference, 8th-9th November 2013, in Birmingham (UK). Covering…
“…interdisciplinary dialogue concerned with the metaphysical properties of geography in the broadest sense [and will] explore the complex space between the physical and hypothetical realms within creative practice.”
Further information from Vered Lahav at: v.lahav@derby.ac.uk
The new Grain photography hub, based the new Birmingham Library, has its website online.
A new BBC Radio 4 documentary, Putting The Black Country on the map. It examines where the boundaries of The Black Country are, and the richness of the dialects to be found there.
A strong article in yesterday’s Birmingham Post newspaper, with deep facts and figures on the BBC’s systematic disprivileging of Birmingham and the Midlands.
“Midland viewers pay £912.3 million in licence fees each year — but the BBC spends just £100 million here from a total budget of £4.1 billion.”
“The corporation produced a report called The Economic Value of the BBC in January [which showed that] in terms of expenditure, the West Midlands suffered the biggest fall in the two years to 2012, at 21.7 per cent.”
There’s an important new free report from the Royal Society of Arts, Disrupt Inc. (March 2013). Here’s what I took from it…
This qualitative report interviewed many young under-30 entrepreneurs, who strongly criticised the UK’s business advice industry’s approach to supporting small startups. Especially the standard advisor routine of: have a chat; write a 20-page business plan; get a start-up finance loan; attend some training talks; find an older semi-retired business mentor; and join the local Chamber of Commerce. By the end of the first year of trading, often at a critical time when they are considering taking on an employee or two, many young under-30 entrepreneurs find themselves left without much support. Large numbers cease trading after one year, something that other nations don’t have a problem with on the same scale.
The RSA also notes another report from the Sutton Trust, which shows that older mentors can do more harm than good. They question the need for older mentors in many cases…
“the deafening noise [from the mushrooming salaried advice industry] about the importance of having experienced mentors distracts us from supporting all those young people who prefer informal assistance from peers.”
The RSA finds that most young people are not in tune with the fossilised ‘cocktails and dinner suits’ middle-class mindset, something which still permeates many local business membership groups and which effectively acts as a class barrier.
Many young people prefer to build their business slowly “on a shoestring” — finding a way forward in the market with the aid of their peers, incrementally adapting prototypes, product ranges, and marketing over time.
The report also criticises the stale and off-putting “language and imagery of entrepreneurship” which permeates the advice industry’s training materials and publications. “Challenging crude stereotypes” will be key part of a necessary “re-engineering [of] enterprise support” says the RSA.
There are many other excellent changes suggested in the report. Along with reasons why these are needed sooner than later, such as the UK facing strong competition from around the world. For example, in the USA 14% of all under-30s are now actively engaged in their own “early stage entrepreneurial activity”. Even with all the help currently on offer here, only 3.6% of the UK’s under-30s are doing so.
“Britain’s 228,000 online retailers already export more than the rest of Europe’s e-retailers put together” — UKTI, March 2013.
Good to hear that the old Children’s Film Foundation films are finally to be rescued from cultural oblivion…
“The British Film Institute recently acquired the complete [Children's Film] Foundation collection and plans to release many of its films on DVD.”
Two DVDs so far, London Tales and The Race Is On. Weird Adventures follows in June 2013.
Handy new set of basic advice videos, for those setting up a social enterprise, courtesy of Social Enterprise West Midlands.
PDF brochure now online for The Arts & Science Festival, 18th to 24th March 2013 at the University of Birmingham. A ton of programming in there, but on a quick flick through I especially noted public lectures which include…
* The Life and Times of William Hutton: Birmingham’s first historian 1723-1815.
* Epic Win: the Ancient World in videogames.
Hopefully there will be podcast recordings online after the event.
A new pre-budget report, published by the Local Government Association (LGA): Driving growth through local government investment in the arts. The headline claim is that…
“for every £1 spent by councils on the arts, leverage from grant aid and partnership working brings up to £4 in additional funding”
Which implicitly suggests that many Councils know this, but are grandstanding on their arts cuts in order to grab a few government-bashing headlines — only to then revoke the threat a few months later. That’s already happened in a number of places, including Stoke.
I suspect the target of the report is not the Chancellor, but those dimmer local councillors who may be tempted to rush to their Council chambers the day after the budget — ready to swing a financial chainsaw in the direction of anything that looks like “arts”.
The Department for Communities and Local Government states that “cultural” spend by local councils in England fell 7.8% in the year 2011-12. Although bear in mind that for the DCMS “cultural” can include things like sport and general leisure as well as the arts. So my guess would be that the closure of a few big swimming pools or indoor football pitches may be distorting the picture in some places? Some local councils do seem to be radically trimming their educational provision funding for museums, though, presumably hoping that the museums will make it up through sponsorship instead.
Excellent news that the British Council has reportedly had its annual arts funding increased by 33%, an extra £14m. That’s great news for the UK’s creative industries exports.
Erasmus Darwin’s “robo duck”, built. Along with many other of his advanced designs, which until now have remained only as plans.
Interesting new NESTA research paper “A Dynamic Mapping of the Creative Industries” (Jan 2013 ) which scrutinises the DCMS’s methods for estimating creative industries employment levels in the UK.
Futura is a new one-day science-fiction convention (literature oriented, not TV-and-Trek), which will be running at the Light House in Wolverhampton on Saturday 15th June 2013…
“A £25 ticket will get you access to a range of activities from 11am-late, including reading, panels, Q+A sessions, our fabulous book market and much more. Guest of Honour line-up: Ken Macleod, Adam Roberts, and Ian R. Macleod”.
No news yet of when tickets go on sale.
Oxford Economics report, The Economic Impact of the UK
Film Industry, from Sept 2012. Interesting to read there (on page 30) that the West Midlands share of national “core” film industry employment was the largest in the UK, at 7.2% in 2011.
Sounds nice, but sadly there was a footnote giving the explanation of the oddly high figure, from the Office of National Statistics. They seem to imply there that the 7.2% was just a statistical “blip” caused by some jiggery-pokery in the ONS computers…
“the increase [to 7.2%] is caused by a return that was not sampled in the previous year and had a higher level of employment than expected.”
The self-employment element of this figure was also an “estimate”, according to the body of the report.
Birmingham University busts a popular doomist myth…
“The idea that the supply of breakthrough [medical] drugs in the UK is drying up is a myth, researchers from Birmingham University reported in BMJ Open. In fact … the opposite seems to be the case”
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